Leopold Vilsack was an early partner in Iron City Brewing, a wise investment that earned him this extravagant Romanesque mausoleum.
The Art and Architecture of Death
Leopold Vilsack was an early partner in Iron City Brewing, a wise investment that earned him this extravagant Romanesque mausoleum.
Two days ago Father Pitt wrote that the Vandergrift mausoleum was probably a stock model. Here is the confirmation: the identical mausoleum, but with different bronze doors. After so many years of wandering in cemeteries, old Pa Pitt has developed an instinct for these things.
Doubtless a memorial company’s stock model, this small mausoleum is encrusted with floridly Victorian Romanesque details in a rather weighty German style. A good architect would have displayed more taste, but would a real architect have been able to provide so many details for the money?
Probably a stock model. It is curiously hard to pin down the style of this structure; old Pa Pitt will call it Romanesque, on account of the medievalish columns and the arched bronze doors. The stained glass inside is another standard catalogue item. The bronze doors bear reliefs of laurels and palms—symbols of victory in death.
Old Pa Pitt is going to call this style Romanesque because of the medieval columns, rusticated stone, and rounded lintel; but it is perhaps a bit of a mixed metaphor in style. Like most of the mausoleums in the unguarded South Side Cemetery, it has lost its bronze doors, which have been replaced with ugly concrete blocks.
Both the mausoleum and the statue on top are identical to the Braun mausoleum in the South Side Cemetery, suggesting that the mausoleum and statue came as a set. This one is missing its bronze doors.
The mausoleum and statue are both stock items, but good ones, although the mausoleum does give the impression of having been assembled from a kit of mass-produced parts.
An unusual Romanesque design, though with a little point at the top of the arch to suggest the Gothic in case you don’t like Romanesque.
Yet another mausoleum in this cemetery whose style is hard to define; we shall call it Romanesque, because of the rusticated stone, the medieval columns, and the divided arch in the bronze doors. The huge urn on top is almost cartoonish. Two bronze ornaments flanking the inscription have been stolen, probably to be melted down for their trivial worth in metal.
The earliest interment listed here was in 1896, and the most recent in 2001.